Crocodiles Get Strep Throat From a Hobo, Share Instrumental EP

Download it here. According to a press release, Fires of Comparison is strictly instrumental because “both boys contracted strep throat from sharing a pipe with a hobo in San Diego’s Presidio Park.” We’ve also been informed that “these tracks are intended to be enjoyed under the mind-altering influence of 2XB-27, a drug concocted in Charles’ toilet by their friend, Dr. Russel Cash.”

Cheers to that. Crocodiles’ latest LP, Sleep Forever, drops on 9/14 through Fat Possum. And their fall tour dates—most of which happen in late October/early November—can be found after the jump…

Continue reading »

PEEP SHOW: Watch Flying Lotus Cover J Dilla’s “Take Notice” Track With the Miguel Atwood-Ferguson Ensemble

Of all the J Dilla tributes we’ve seen in the four years since the producer’s untimely death, Miguel Atwood-Ferguson’s Suite For Ma Dukes project has to be one of the most revelatory/rewarding. Mostly because it gets to the heart of what makes Dilla’s music so great—the grooves themselves, as rendered in brassy jazz arrangements of his productions for Common, A Tribe Called Quest, and more. The video above is from a recent free L.A. concert that featured Flying Lotus and some of his key Cosmogramma collaborators (harpist Rebekah Raff, bassist Stephen “Thundercat” Bruner). We’ve included a free MP3 version after the jump, along with another video and download from a track with Bilal (“Someday We’ll All Be Free”).

If you’d like to actually own pieces of the Ma Dukes puzzle, you’ve got two options: Timeless, a deluxe DVD box set that also includes the works of Mulatu Astatke and Arthur Verocai, or the Suite For Ma Dukes 12-inch that Atwood-Fegurson cut with Carlos Nino. An interview with the latter can be found here.

Continue reading »

Squarepusher Reveals Cover Art, Release Date For ‘d’DEMONSTRATOR’, His Proper Shobaleader One Debut

Warp Records will release Shobaleader One: d’DEMONSTRATOR, a mysterious nine-track release from Squarepusher, on 10/19. An Ed Banger single related to the record is now available and can be streamed here. An epileptic teaser video also trickled out this morning…

Continue reading »

PRIMER: Pete Tong On … Ibiza-Approved Summer Anthems

We’ve never been to Ibiza before. And you know what? We’re not ashamed to admit that part of us really wants to go to there; to turn off our laptops, toss our iPhones in the ocean, and get loaded on liquid GHB as someone—probably Steve Aoki—plays “We…are…your friends!” one last time.

So with that in mind, we asked one of the world’s foremost experts on dance music (Pete Tong, the host of Ibiza’s International Music Summit and one of the most respected DJs on BBC Radio One) to share five of this summer’s proven dancing-under-the-stars-with-your-shirt-off anthems.

If you like what you hear, Tong can be found at this weekend’s Electric Zoo Festival. He’ll be spinning at the Hilltop Arena stage at 4:30 on Saturday. Other artists of note at the glowstick-optional event include Erol Alkan, Martyn, the Chemical Brothers, Richie Hawtin, and our current cover star Flying Lotus.

And now, for some fist-pumping action…

Continue reading »

DOWNLOAD THIS NOW: Blue Water White Death, “Song For the Greater Jihad” (F/ the Frontmen of Xiu Xiu and Shearwater)

Blue Water White Death’s self-titled debut arrives on 10/12 through Graveface Records.

THE SELF-TITLED INTERVIEW: Geoff Barrow of Portishead & BEAK>

BEAK> (L to R: Matt Williams, Billy Fuller, Geoff Barrow)

As if being friends with Banksky, running an underground record label (Invada), and producing/playing in Portishead isn’t exciting enough, Geoff Barrow has also spent the past year sharpening the sonic teeth of his new band BEAK>. Rounding out by Robert Plant’s recent bassist (Billy Fuller, also of Invada’s first-ever signing, Fuzz Against Junk) and Matt Williams (Team Brick), the power trio formed in early 2009 and tracked their self-titled debut at their first rehearsals. Slapdash start aside, the songs are the sound of three Bristol vets who are on some sort of spiritual plane together—right alongside everything from the classic Kraut-rock of Can to stoner-metal standards like Sunn O))) and Sleep.

It’s music you lose your mind to, in other words—an even weirder version of Barrow’s creative vision than the last Portishead record, if you can believe that. In the following interview, Barrow discusses everything from his favorite Madlib record to why the Horrors didn’t really need his help after all. BEAK> will be making a couple rare East Coast appearances this weekend, including a stop at Bowery Ballroom on Friday and a set at the upstate edition of All Tomorrow’s Parties on Saturday.

Continue reading »

TEST PRESSING: The Walkmen, ‘Lisbon’

Check out the full NPR stream after the jump..

Continue reading »

NEEDLE EXCHANGE 031: An Exclusive Mix By … Coliseum

[Photo by Nick Thieneman]

A Few Of My Favorite Songs By DC Bands
By Ryan Patterson of Coliseum

As I write this, I have just turned 33 years old. At times I feel like I might have been born just six or seven years too late, because the time in music that has touched me most seems to be the the late ’80s, when bands from the first few waves of punk and hardcore started to expand their horizons musically and politically. While not entirely limited to bands from Washington, DC, many of the acts from that area—mostly on the Dischord Records label—are my favorites and have inspired me most, both as a musician and in my ethics and ideals.

I discovered punk and hardcore around 12 or 13 years old and dove in head first. Buying a Minor Threat cassette led me to tracking down everything I could get my hands on that carried the Dischord logo. The same went for other labels like SST, but Dischord seemed to have the highest quality and it was obvious they were documenting a community and a movement. Plus, you could order Dischord releases for cheap and they’d send you a catalog with a hand written note. It felt like I was a part of something. I would come to realize that I was—it was—something bigger than a label or a band or even a town. It was a way of approaching life and music and art and everything else…

Continue reading »

Dirty Projectors Announce Limited Other Music LP, Share Live Acoustic Version of “Temecula Sunrise”

Photo: Jen Maler

Dave Longstreth just sent an E-mail to Dirty Projectors’ mailing list, sharing the following details about their month-long fall tour…

“We’re going to pack about 18 nights’ worth of songs into our rucksacks and just plan on letting a few go in every city. The songs will be from phylum Orca, genus Mount Wittenberg; genus Bitte; various specimens of the Rise Above family, maybe some from the New Attitude kingdom, and hopefully a few other more unclassifiable ones … hopefully they’ll fly up into the trees and indigenize alright, like those parrots who build nests on top of phone poles in your old babysitter’s neighborhood.”

He went on to say that the band’s got two new releases on tap. First up: an expanded two-disc edition of Bitte Orca that includes all of the album’s B-sides and a special acoustic set that was captured at Other Music last year. It arrives on 9/21 and can be pre-ordered here. A week later, Other Music will release a limited white label vinyl pressing of their five tracks. You can pre-order one (or two, which is the limit) of 500 copies now.

Check out the tracklisting after the jump, along with tour dates and a free record aisle rendition of “Temecula Sunrise.” 

Continue reading »

PEEP SHOW: Guns N’ Roses Ruffle the Reading Festival’s Feathers With an Acoustic Rendition of “Paradise City”

Apparently, the Reading Festival isn’t as understanding about Guns N’ Roses going on stage late as the rest of the world. An explanation from the depths of the jungle itself (i.e. Axl Rose’s Twitter account):

Don’t know what it is w/us or these last 2 shows. Takes the fun out it 4 everyone fans, band n’ crew alike but whatever. So u know, we allegedly had a deal in place pre show w/the city at least at Leeds to do a bit longer performance that was either miscommunication, someone wasn’t informed, changed their mind, didn’t care or was a con. Regardless the nonsense just seems so unnecessary but w/out real management or industry presence is unfortunately beyond r control. We hope the fans feel they got at least what they could from us under the circumstances as 4 us all things considered that’s the main thing. The rest is filler. Anyway, enough rambling. Peace, thanks 4 understanding n’ what we did manage to get done out there was a blast! The crowds n’ fans were amazing!! And in r opinion (not that apparently it means much) u deserved better!! Thanks again!! Axl-

And here’s another vantage point…

Continue reading »

Page 1 of 13912345102030...Last »

Recent Comments

© 2010 Pop Mart Media | Find us on Twitter & Facebook Site Built by PAPER TIGER