
Mathew Jonson is mostly known for his fresh, slightly-mental take on minimal techno (see such slamming singles as “Decompression” and “Return of the Zombie Bikers”) and the carefully-curated roster of Wagon Repair, a Vancouver-based label he helped launch in 2004. Jonson didn’t get his start hand-crafting beats, however; his music background actually begins with his stint as a jazz drummer. Well, a jazz drummer that picked up an MPC and basic synth/drum machine skills at a really young age, eventually forming impromptu groups with such local Canadian artists as keyboardist Danuel Tate and fellow programmer/DJ Tyger Dhula. Both of which round out Cobblestone Jazz, the jazz/techno trio Jonson’s currently touring a few U.S. cities with. (They bless the immaculate sound system of Cielo in New York City tonight, and hit L.A.’s King Kong club tomorrow.)
We were wondering what to expect from such an unprecedented M_nus-meets-Montreux setup, so Jonson answered a slew of questions via E-mail. For starters, he had this to say about Cobblestone Jazz’s sound, “It’s not really about techno or jazz; it’s about the music itself. If it has a groove, then thats what is important. We’re not trying to play any specific style.”
To understand what he really means be sure to check out the double 23 Seconds disc on !K7 Records right now. Now, onto our interrogation …
















