
[Photos by Jimmy Edgar]
Much has been made of Kelley Polar’s expulsion from Juilliard, which happened soon after his “Kelley Polar Quartet” swaddled such key Metro Area cuts as “Miura,” “Dance Reaction” and “Caught Up” in rich string arrangements. Since the producer/pianist/violist still has a soft spot for classical music, we asked him to share his favorite jams made by (long) dead men, as well as explain the whole Juilliard thing in detail …
I was drawn to classical music at a young age because my parents (specifically my mother) decided that my dear sister Blevin should play when she was about 3—when I was born. She also bought a puppy around this time. So my sister practiced the Suzuki method of violin playing and my first germinative months were spent with her playing “The Happy Farmer,” “Aunt Rhody” and “Perpetual Motion.”
So when I was around 3 I started playing as well.





Look, we’re never going to get over the disbandment of cLOUDDEAD—the murky & melancholic collective that helped launch the love-or-loathe careers of 


















