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	<title>Comments on: FREE ASSOCIATION: Tim Kasher Borrows From &#8216;Blood Meridian&#8217; &amp; That Pointy Bastard Pinocchio On Cursive&#8217;s Sixth LP, &#8220;Mama, I&#8217;m Swollen&#8221;</title>
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	<link>http://www.self-titledmag.com/home/2009/03/10/free-association-tim-kasher-borrows-from-blood-meridian-that-pointy-bastard-pinocchio-on-cursives-sixth-lp-mama-im-swollen/</link>
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		<title>By: BUY IT, BURN IT, SKIP IT: Yeah Yeah Yeahs, Cursive, Casiotone for the Painfully Alone &#124; self-titled magazine :: s/t daily</title>
		<link>http://www.self-titledmag.com/home/2009/03/10/free-association-tim-kasher-borrows-from-blood-meridian-that-pointy-bastard-pinocchio-on-cursives-sixth-lp-mama-im-swollen/comment-page-1/#comment-12135</link>
		<dc:creator>BUY IT, BURN IT, SKIP IT: Yeah Yeah Yeahs, Cursive, Casiotone for the Painfully Alone &#124; self-titled magazine :: s/t daily</dc:creator>
		<pubDate>Wed, 11 Mar 2009 05:52:04 +0000</pubDate>
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		<description>[...] Rarely, if ever, has Cursive frontman Tim Kasher been accused of making &#8220;pretty&#8221; music. Bleeding-heart lyrics? Yeah. Themes of Catholic guilt? You bet. All around emo as fuck? Definitely. But pretty? Never. Even Gretta Cohn&#8217;s cello on 2003&#8217;s impeccable The Ugly Organ gave the Omaha group a morose anchor for its heartbroken, love-gnashing guitars. It was beautiful. But it wasn&#8217;t really pretty. Mama, I&#8217;m Swollen is pretty, from start to finish. Kasher, still forlorn as a lyricist, indulges an upbeat musical itch, letting a never-before-heard aesthetic cheerfulness envelope his biting tales of human depth and critical wit. The touch of tenderness suits Kasher, far enough removed from the emotional nastiness of 2000&#8217;s Domestica and singing more like Robert Smith than his old demented yelp. But maybe it&#8217;s best to let Kasher explain the record in his own words.   [...]</description>
		<content:encoded><![CDATA[<p>[...] Rarely, if ever, has Cursive frontman Tim Kasher been accused of making &#8220;pretty&#8221; music. Bleeding-heart lyrics? Yeah. Themes of Catholic guilt? You bet. All around emo as fuck? Definitely. But pretty? Never. Even Gretta Cohn&#8217;s cello on 2003&#8217;s impeccable The Ugly Organ gave the Omaha group a morose anchor for its heartbroken, love-gnashing guitars. It was beautiful. But it wasn&#8217;t really pretty. Mama, I&#8217;m Swollen is pretty, from start to finish. Kasher, still forlorn as a lyricist, indulges an upbeat musical itch, letting a never-before-heard aesthetic cheerfulness envelope his biting tales of human depth and critical wit. The touch of tenderness suits Kasher, far enough removed from the emotional nastiness of 2000&#8217;s Domestica and singing more like Robert Smith than his old demented yelp. But maybe it&#8217;s best to let Kasher explain the record in his own words.   [...]</p>
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