Recording Under the Influence is a recurring self-titled feature where we ask artists to ignore their musical inspirations for a minute and share what really went into the making of a particular record. Since the Twilight Sad have been so forthcoming about the influences on their third album—a slight reinvention that dials their hail storm hooks down in favor of steely beats and oil-slicked synths—we asked guitarist Andy MacFarlane to talk about some of the movies that marked the trio’s No One Can Ever Know sessions…
Category: Featured
By Mitch Strashnov
The world of underground electronic music is nothing new to Goth-Trad, Deep Medi Musik’s Tokyo-based purveyor of deep, definitive dubstep. While he’s recently gained a cult following for tracks that can be traced back to everyone from DJ Krush to the producer’s new label boss Mala, Goth-Trad’s musical career actually began in the late ’90s with tricked-out takes on hip-hop, breaks and jungle, as well as a few heady forays into noise music.
With his latest LP, New Epoch, hitting shops this week, self-titled asked the rising beat maker to share an exclusive mix and his thoughts on Japan’s struggling music scene, repeated rewinds, and the fine line between “big, booming dubstep” and “boring electro”…
AN APPEARANCE IN THE PARK
A halting conversation with Mark Lanegan
By J. Bennett
When we meet Mark Lanegan at a picnic table in a nearly-empty public park in Burbank, it feels like one of us should be carrying a briefcase full of money. Like there might be a sniper in the bushes, watching two guys in sunglasses make some sort of shady handoff. But really it’s just awkward, mostly because Lanegan clearly doesn’t want to be here, and essentially says as much before we even start the interview. A notoriously reluctant and guarded interviewee, he presumably picked the spot because it’s close to where he lives but not so close that we might actually get a glimpse of his pad. Fair enough, we figure: Privacy is a precious commodity these days. Still, there’re a lot of painful pauses and one-word replies, many (but not all) of which were edited out of the following transcript. But first, some basic facts…
Photo by Caroline Mort
If there’s one thing we learned from compiling the artist curated lists in our year-end issue, it’s what a serious crate digger Aaron Coyes is. As on-point as everyone else’s suggestions were, the Peaking Lights multi-instrumentalist went so obscure we spent several hours finding samples of all his picks for our enhanced iPad edition.
Have a listen and a look at what we’re talking about below, right alongside a mix Coyes just posted today…
While it’s nearly impossible to make sense of all the music that floods our mailbox, inbox, and various Web browsers every day—not to mention the shelves at self-titled’s favorite record stores—we’re constantly looking for artists who make us stop what we’re doing and actually listen. Here’s one of them…
Photo by Bryan Sheffield
Of all the labels that screamed nothing but quality this year, Not Not Fun and its neon-lit sister imprint 100% Silk emptied self-titled’s pockets on a monthly basis, causing us to spontaneously consume everything from the space age dub excursions of Peaking Lights to the twilight zone pop tracks of Maria Minerva. With that in mind, we asked the label’s co-founders (Britt and Amanda Brown) to share an exclusive mix of new, old and upcoming favorites from the Not Not Fun canon. Have a listen below, and check out Britt’s favorite labels of 2011 in our new issue here…
Photo by Shawn Brackbill
Check out the first part of our exclusive interview between Emeralds and legendary film composer/sound designer Alan Howarth in the magazine excerpt below (taken from our new issue), right alongside the rest of the conversation…
Photo by Jimmy Fontaine
As promised late last week, we’ve uploaded the Web version of our latest issue for mass consumption a few days earlier than our enhanced iPad edition. Check it out below—featuring cover stories on Azealia Banks, The Men and Factory Floor, and exclusive features with Nicolas Jaar, Charlotte Gainsbourg and many, many more—or on a dedicated widescreen page here…
Photo by Aaron Richter
Like most serious music fans, self-titled spends most days devouring records across hard drives, streaming services and our trusty office turntable. That’s why we’re devoting the next month to deconstructing LPs we loved from throughout the year. Here’s one of them, complete with the entire album streaming…
Photo by Andrew Parks
Since self-titled revolves around three very different people, we thought we’d share individual year-end lists from each of our editors, starting with the guy responsible for making our magazine look much more expensive than it is: senior editor/art director Aaron Richter…

















