No Age have revealed the lead single from their latest album, An Object. Available to stream in “not the video” form below, “C’mon Stimmung” quickly segues from an ambient intro to an all-out-war approach that reflects how the duo’s managed to refine their ravenous pop-punk sound even further. In related news, No Age will launch a lengthy tour in mid-August, one that makes sure to hit lots of art spaces along the way…
Kraftwerk co-founder Ralf Hütter gave a rare interview to The Guardian this week, discussing everything from their recent run of Catalogue shows to what we can expect from the Kraut-rock icons next.
“In the ’70s there was more drumming and physical action in the music, but today it’s more sensitive,” he said, when asked about how live the group’s elaborate A/V shows actually are. “We’re turning the knobs, we’re switching the switches, we operate the faders. We have all kinds of little gadgets.”
Considering most of Kraftwerk’s drummers have been out of the band since the mid-’80s, the synthetic approach certainly makes sense. And while Hütter was quick to dismiss any reunion rumors, he did say this: “Now this is done, one to eight. Now we can concentrate on number nine…It’s music non stop!”
Here’s hoping that music sounds something like this…
In case you missed their invite-only soundcheck set for KCRW last week, the entire hour-long Queens of the Stone Age performance is now airing in HD below. As always, the band’s tight even when they shouldn’t even be trying, including tracks from their new …Like Clockwork LP and old favorites like “Little Sister” and “Make It Wit Chu”…
Now that every Tuesday is a frantic scramble for the best streamable/downloadable/sharable new releases—in our office, at least—self-titled thought we’d save you some time and share five records we stand behind every week. Here’s what we’re digging at the moment…
As ScHoolboy Q gets set to release his first official album, Oxymoron, it looks like the MC just uploaded its lead single. An airtight collab with his Black Hippy cohort Kendrick Lamar, “Collard Greens” creeps along to a minimal keyboard melody and spare head-nod hooks from THC and his co-producer Gwen Bunn.
Check it out below along with a complete stream and track-by-track commentary for Q’s last LP, Habits and Contradictions…
If you’ve been meaning to pick up the long-awaited sequel to Italians Do It Better‘s After Dark compilation, now’s the time to grab it gratis, direct from Johnny Jewel’s Soundcloud account. Here’s what he had to say last night, along with the 15-song set of exclusives from Glass Candy, Chromatics, Desire and more…
Words by Zola Jesus
As a frequent traveller on tour, it’s always interesting to visit a country and reflect on the products of its artists. I like to wonder where it all comes from. How is that some countries excel at certain disciplines, or share a similar palette of artistic expression? For instance, what has made Italy the home of opera? What pulls the French towards romanticism? Why is South American art so magical and full of color? What makes a region speak to an entire nation of artists in a similar brushstroke? It’s always a curious puzzle, trying to link together the political history with the sketch of the soil. Some countries—like Sweden, for instance—have a shockingly robust film industry, while Russia excels at literature but struggles even today to find a foothold in cinema.
And then there is Austria, a very curious little nation. How is it such a small country could harvest such a fertile artistic landscape? Musically, they’ve given us everyone from Mozart to Schoenberg. The country can also claim iconic visual artists like Gustav Klimt, Egon Schiele and the Viennese Actionists. Unsurprisingly, there seems to be a pattern linking all of these figures: a groundbreaking, often difficult creative energy hell-bent on holding a mirror up to nature.
This lineage does not stop with cinema. From what I’ve gathered in my fervent exploration of this country’s film industry, it boasts a similar hotbed of iconoclasts and button pushers…
Good news, Kathleen Hanna fans—the former Bikini Kill/Le Tigre frontwoman has finally wrapped her first full band record with The Julie Ruin. Set to hit shops on September 3rd through the group’s own TJR Records label (distributed through Dischord, naturally), Run Fast features the previously leaked “Girls Like Us” and the following punk-as-fuck single, “Oh Come On.”
Is there a better cure for the Mondays than Hanna’s trademark wail, restless rhythms, a gritty bed of grinding guitars and caustic call-and-response choruses? We think not…

















