Tag: Recording Under the Influence

RECORDING UNDER THE INFLUENCE: Baths

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Recording Under the Influence is a recurring self-titled feature where we ask artists to ignore their musical inspirations for a minute and share what really went into the making of a particular record. Since we’re not quite sure what the hell’s driving the twisted pop tunes on Cerulean (the full-length debut of Baths, available now on Anticon), we went straight to the source: multi-instrumentalist Will Wiesenfeld, who shared the album’s ‘philosophy’ and the strange stories behind a handful of songs. Not quite what we usually get from this feature, but we’ll take it!

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RECORDING UNDER THE INFLUENCE: Woven Bones

Recording Under the Influence is a recurring self-titled feature where we ask artists to ignore their musical inspirations for a minute and share what really went into the making of a particular record. Today’s installment is one of our best yet—a brutally honest breakdown of Woven Bones’ punk-in-drublic debut (In and Out and Back Again, out now on HoZac) by frontman Andrew Burr. The trio’s month-long east coast tour starts this week and includes a free South Street Seaport gig with Yellow Fever on July 2.

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RECORDING UNDER THE INFLUENCE: Ellen Allien

Recording Under the Influence is a recurring self-titled feature where we ask artists to ignore their musical inspirations for a minute and share what really went into the making of a particular record. Ellen Allien keeps things simple in her guide to Dust, giving us a few clues as to how some of the album’s more polarizing moments—like the beat-flecked balladry of “Sun the Rain”—came about.

The BPitch Control boss also shares her love of long nights/mornings in Berlin, a place that’s helped her find love and Dust’s first single. Speaking of Allien’s longtime home, you can check out her city guide from our first issue here.

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RECORDING UNDER THE INFLUENCE: Adam Green On … French Lit, ‘Metal Machine’ Jackets, L.A. Coffee and His Cheating Girlfriend

[Photo by Guy Eppel]

Recording Under the Influence is a recurring self-titled feature where we ask artists to ignore their musical inspirations for a minute and share what really went into the making of a particular record. Today’s installment is about Adam Green’s surprisingly sincere Minor Love LP; surprising because this guy used to sing songs like “Crackhouse Blues,” “Chock On a Cock,” “Bunnyranch” and “Mozzarella Swastikas.” Okay, those were his early solo efforts, but you know what we mean. This time around, the former Moldy Peach is channeling Transformer-era Lou Reed and his cheating girlfriend.

“I didn’t realize when I was recording my record that my girlfriend was cheating on me,” explains Green. “I called her almost every night, and after a while, I could tell that something was wrong. I think that her cheating on me caused my mood to be extra-gloomy while I was recording. That must affect how the record sounds. Thank god that she cheated on me.”

Thank god indeed. We also endorse all of the following outside influences. And if you’re in New York, be sure to check out Green’s Teen Tech art show, which is open to the public this Friday and Saturday at the Morrison Hotel Gallery Bowery. Green’s also headlining Bowery Ballroom shows both nights.

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RECORDING UNDER THE INFLUENCE: Ikonika

Recording Under the Influence is a recurring self-titled feature where we ask artists to ignore their musical inspirations for a minute and share what really went into the making of a particular record. In Ikonika’s case, we’re talking about much more than the 16-bit beats of her beloved Sega Mega Drive system, although they certainly played a part in her debut LP (Contact, Love, Want, Have, out now on Hyperdub) as well. For one thing, the post-dubstep producer is a Gemini.

“Some psychology friends of mine have told me that I don’t have a personality,” she explains. “Instead, I adapt to other people’s. So I can be confused sometimes—like today.”

Honestly, we can’t tell the difference. From our end of this trans-Atlantic call, Ikonika (real name: Sara Abdel-Hamid) is nothing but a film nerd who also happens to sculpt some of shiftiest beats in the business—restless productions that make perfect sense once you hear the stories and dream worlds behind them…

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RECORDING UNDER THE INFLUENCE: Frightened Rabbit On … Bodies of Water, Walking Like a Man, and the Weightiest Poetry Book You’ll Ever Read

[Photo by Danny North]

Recording Under the Influence is a recurring self-titled feature where we ask artists to ignore their musical inspirations for a minute and share what really went into the making of a particular record. In the following post, Frightened Rabbit frontman Scott Hutchinson explains the easy, breezy sound of the band’s third album, The Winter of Mixed Drinks (FatCat), and why he’s not a miserable Scot anymore.

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RECORDING UNDER THE INFLUENCE: Eluvium On … Warped Memories, His Book Addiction and the Bearable Lightness of Being

[Photo by Noel Javier]

Recording Under the Influence is a recurring self-titled feature where we ask artists to ignore their musical inspirations for a minute and share what really went into the making of a particular record. Eluvium’s always been one of our favorite ambient artists, so we were as surprised as anyone to hear Matthew Cooper actually sing on his new Similes album. Well, sing his way. Meaning: barely-there melodies, swept up in the currents of Coopers minor-keyed soundscapes like any other instrument. 

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RECORDING UNDER THE INFLUENCE: Dinosaur Feathers Take Us Where No Man Has Gone Before On Their New Album, ‘Fantasy Memorial’

By Arye Dworken

Recording Under the Influence is a recurring self-titled feature where we ask artists to ignore their musical inspirations for a minute and share what really went into the making of a particular record. In this installment, Brooklyn’s very own Dinosaur Feathers guide us through the trio’s magical self-released debut record Fantasy Memorial.

While the band lists Ruby Suns, Os Mutantes, Animal Collective, M.I.A. and the Beach Boys as their sonic influences on Facebook (and for once, we commend a band for listing its inspirations non-ironically), it would seem that, well, Star Trek and Errol Flynn informed the band’s exotic Caribbean-flavored pop equally. But frontman Greg Sullo, ever the overachiever, went one step further and linked each outside influence with a matching sound. And who can argue with the supposition that pepperoni pizza is the food equivalent of Billy Joel’s The Stranger? Not us.

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RECORDING UNDER THE INFLUENCE: From the Creepy Films of John Carpenter to Emmet Otter’s Jugband, RJD2 Chips Away At ‘The Colossus’

[Photo by Dan McMahon]

Recording Under the Influence is a recurring self-titled feature where we ask artists to ignore their musical inspirations for a minute and share what really went into the making of a particular record. In this particular installment, RJD2 steps away from his ceiling-high stacks of records and chomps on croissants and the stone-cold classics of John Carpenter. So if you’re wondering why the producer/multi-instrumentalist/singer keeps changing his game with every record (The Colossus being RJ’s latest collection of postmodern cuts), here’s a good start…

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RECORDING UNDER THE INFLUENCE: From the Classic Comic Book Panels of Jack Kirby to the Craziest Sean Connery Movie Ever Made, Pink Skull Let the Skeletons Out of ‘Endless Bummer’

[Photo by Jody Rogac]

Recording Under the Influence is a recurring self-titled feature where we ask artists to ignore their musical inspirations for a minute and share what really went into the making of a particular record. In this week’s installment, Pink Skull’s Julian Grefe reveals his double life as a sci-fi nerd and the kooky second coming of LCD Soundsystem. That’s at least what we took away from the psychedelic dance tracks on Endless Bummer, the first proper LP from one of our favorite underground labels, RVNG.

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