Tag: Matthew Dear

THE SXSW SUPERLATIVES: Our Final Word on This Year’s Fest, From the Finest Food Truck Finds to the Most Annoying Bro-Down

An overzealous Bad Sports fan

Photos by Andrew Parks

Now that we’ve had nearly a week to process this year’s South by Southwest festival, self-titled thought we’d take a minute to dish out a lengthy list of completely random awards in such crucial categories as the Dopest Shoes and the Set That Should Have Been Horribly Boring But Wasn’t. Congratulations to all…

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SXSW Photos: Matthew Dear, Mr. Muthafuckin’ eXquire, ScHoolboy Q

Photos by Aaron Richter

We’ll have more thorough South by Southwest coverage later tonight and early tomorrow, but for now, here are some photos from Pitchfork’s SXSW Interactive party last night…

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VIDEO/MP3: Matthew Dear, “Slowdance”

Read more about Matthew Dear here and grab a free download of “Slowdance” below…

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DOWNLOAD THIS NOW: Matthew Dear, “Slowdance (How To Dress Well Seance)”

Photo: Aaron Richter

Of all the records we keep revisiting from last year, Matthew Dear‘s Black City makes the most sense every time the clock strikes 4 (in the morning) and there’s no choice but to stay up all night, barricaded from the rest of the world in a dimly lit loft somewhere in the blackened heart of Brooklyn.

Unlike the peak hour passages of “Little People (Black City),” the synth-pressed balladry of “Slowdance” is exactly what you want to be hearing as the sun breaches the horizon and the cold hard reality of the world outside these windows sets in. A world that looks a lot like the cover art of Dear’s new Slowdance compilation, a collection of remixes (and one B-side called “Innh Dahh”) that includes contributions from Bear In Heaven, Nicolas Jaar, Todd Edwards, and How To Dress Well. His “Seance” version of the title track can be found below. Like HTDW’s own Love Remains LP, it’s what we’d imagine R&B sounding like as you begin to see the light at the end of the tunnel…

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SUPPORT THIS: Matthew Dear Sets the Stage For Tom Tom Club

Words and Photos by Andrew Parks

The Artist and Their Latest Release: Matthew Dear, Black City (Ghostly, 2010)

Who He Opened For: Tom Tom Club @ Irving Plaza, 1.12.11

Why He Could Have Been Headlining:

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2010 IN REVIEW: Matthew Dear, ‘Black City’

Photo by Aaron Richter

Quite a few records logged repeat listens on our office stereo this year. Here’s one of them…

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2010 IN REVIEW: A-Trak Reviews 25 of the Year’s Top Songs

Photos by Elizabeth Weinberg

When we sent Apache Beat singer Ilirjana Alushaj over to A-Trak‘s Brooklyn apartment to talk about the year’s top singles, we expected the discerning ear of a world class DJ. And we got just that. What he liked and loathed from self-titled‘s carefully curated playlist might surprise you, though…

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DOWNLOAD THIS NOW: Matthew Dear, “You Put a Smell On Me (Breakbot Remix)”

Download more Matthew Dear remixes here. You Put a Smell On Me will be available as a digital single on November 23 and a proper 12” on December 7. Dear is also bringing a killer bill to Brooklyn next week—his live band alongside two s/t favorites, Games and Noveller. Check out a flyer for that after the jump, along with the producer/performer’s contribution to our Mad Libs canon…

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DOWNLOAD THIS NOW: Darkstar’s FACT Mix

Check out our lengthy Darkstar interview here, and their FACT mix tracklisting after the jump…

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Presenting Our Ninth Digital Issue, Featuring Zola Jesus, Michael Gira, Antony, ceo, Salem, Das Racist & More

Photo by Bryan Sheffield

As you can probably tell by the freshly-pressed magazine cover on the right, we’ve wrapped up another issue of self-titled, the first to be available in two formats:

1. A free embeddable edition, available here (and after the jump) along with a couple of special Soundcloud players.

2. A paid, fully-interactive iPad issue from Zinio, the same company Spin, Rolling Stone, Esquire and many other major publications use for their digital editions. It’s available now.

Simply put, we’ve decided to follow the same path as some of our favorite musicians: we believe that a basic version of our magazine should be ready, willing and able to spread the self-titled gospel as far as possible. But we’re also driven to produce an ever-evolving “deluxe edition” of self-titled, available for anyone who wants a portable issue with bonus bits of video and audio content.

Now, here’s what you’ll find in our biggest issue yet:

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