Tag: Queens of the Stone Age

THE SELF-TITLED INTERVIEW: Mark Lanegan

Mark Lanegan - Press Shot

Photo: Anna Hrnjak

AN APPEARANCE IN THE PARK
A halting conversation with Mark Lanegan

By J. Bennett

When we meet Mark Lanegan at a picnic table in a nearly-empty public park in Burbank, it feels like one of us should be carrying a briefcase full of money. Like there might be a sniper in the bushes, watching two guys in sunglasses make some sort of shady handoff. But really it’s just awkward, mostly because Lanegan clearly doesn’t want to be here, and essentially says as much before we even start the interview. A notoriously reluctant and guarded interviewee, he presumably picked the spot because it’s close to where he lives but not so close that we might actually get a glimpse of his pad. Fair enough, we figure: Privacy is a precious commodity these days. Still, there’re a lot of painful pauses and one-word replies, many (but not all) of which were edited out of the following transcript. But first, some basic facts…

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TEST PRESSING: Stream Domino’s Record Store Day Exclusives, Including Charlotte Gainsbourg, Clinic, The Kills and More

Sample the following limited releases below:
Various Artists, A Rekords Rekords Record 10”
Arctic Monkeys, Don’t Sit Down ‘Cause I’ve Moved Your Chair 7”
Clinic, Ladies Night cover songs 10”
Villagers, Villagers Live At the Workman’s Club LP
Franz Ferdinand, Covers EP colored vinyl 12”
James Yorkston, It’s Lovely To Be Heard: The Talking Diaries Of a Scottish Gent 10”
Wild Beasts, Albatross 7”
Lone Pigeon, 28 Secret Tracks LP
About Group, special LP with bonus 7”
The Kills, Satellite 10”
Villagers/Charlotte Gainsbourg, split 7”

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1MM: Queens of the Stone Age Photos @ Terminal 5

Words and Photos by Andrew Parks

“So we’re playing our first album all the way through tonight,” said Queens of the Stone Age‘s towering frontman, speaking to a capacity Terminal 5 crowd who didn’t seem to mind. “There’s always that one person who didn’t know, though. So I say to that person, ‘Fuck you.’ And I mean that in the nicest way possible. More like ‘fudge you’ or something.”

Josh Homme, everyone—still a comedian after all these years. That’s not the only thing that’s stood the test of time, either. The band’s self-titled debut also sounds as fresh today as it did 12 years ago. From the cutthroat chords of “Regular John” to the careening coda of “You Can’t Quit Me Baby,” it’s a thick, malted slab of sludge-pop and Route 66 rock that actually translates better to a big room than many of their latter-day singles. Probably because the songwriting is rawer than an omakase special, although QOTSA did leave us with quite the night cap: two encores, including such relatively recent fan favorites as “Burn the Witch,” “Little Sister,” and “Make It Wit Chu.”

Check out a stack of live shots from last night below, along with a streaming version of the record of the hour…

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TEST PRESSING: Stream Queens of the Stone Age’s Expanded Debut

The remastered, deluxe version of Queens of the Stone Age‘s self-titled debut finally drops on March 29 through Domino. You can pre-order the gatefold double vinyl pressing here and sample the entire thing above.

COFFEE TALK: The Latest Posts, Profiles and Think Pieces On Grizzly Bear, Raekwon, Neil Gaiman, Guided By Voices and More

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Chris Taylor of Grizzly Bear

Photo by Laura M Gray

We sift the ‘net for today’s top stories so you don’t have to…

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I WAS THERE: The Dead Weather Blow Through Most of Their Debut At Bowery Ballroom

[Photos/Text by Andrew Parks; slideshow available here]

Since the Dead Weather already spent a couple thousand words explaining the how and the why of Jack White‘s latest impulse project, here’s what stood out about their live debut at Bowery Ballroom last night:

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THE PERFECT STORM: We Corner The Dead Weather For One of Their First Full-Band Interviews

[Lead photo by Floria Sigismondi; live photos by Andrew Parks]

By Courtney Balestier

In case you haven’t heard the news, Jack White’s in another band. That’s right—the musical mastermind behind the White Stripes and the Raconteurs is on the road again with the Dead Weather. Any White fan—hell, any modern rock fan, period—will recognize the lineup: on vocals, Alison Mosshart of the Kills, who toured with The Raconteurs last year; from the Raconteurs, bassist Jack Lawrence; and from the Raconteurs’ touring lineup and Queens of the Stone Age, guitarist Dean Fertita. That leaves Mr. White not with his familiar guitar, but with his long lost lover, the drum kit. White also produced the band’s forthcoming album, Horehound, at his soup-to-nuts Nashville studio, Third Man.

Before you start freaking out about when the next White Stripes album is coming out, or whether the Ambassador of Rock is stretching himself too thin, know this: the Dead Weather is fierce, a sexy/dirty listen that’s the sonic equivalent of locking lips with a stranger in the dimmest corner of a dive bar.

self-titled spent some quality time with the band on Monday night, as they touched down in New York for their first public gig. (That’s excluding an invite-only gig at Third Man, which we’re pretty sure you weren’t invited to. Unless your name is Sheryl Crow … or Meg White. In that case, we apologize for making assumptions.)

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BUY IT, BURN IT, SKIP IT: Parts & Labor, Sebastien Grainger, Gang Gang Dance

By Aaron Richter

As we all know by now, new releases hit record-store shelves and digital-download services each Tuesday. That’s why self-titled presents the following every week: a new release you’d be stupid not to own (Buy It), one worth checking out if you’re the curious type (Burn It) and something you might have heard about but probably should avoid (Skip It). Simple, ain’t it?

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