Blog
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The day we were together
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To the top of the world
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Ideas always start on a paper
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My minimal little space
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Journal
05
February
2008
DAFT OXFORD PUNKS: A Q&A Session With Vampire Weekend
By Arye Dworken Ask Vampire Weekend vocalist Ezra Koenig what he wants to do with his newfound life as New York’s Next Big Thing and he’ll simply say, “Write catchy songs.” Nothing more, nothing less. So, what’s all the fuss about Koenig’s band among blogs, message boards and, soon, magazine covers? Why is this seemingly […]
11
February
2008
THE S/T INTERVIEW: Dax Riggs
Photo/Text by J. Bennett Before we met Dax Riggs, we’re pretty sure we’d never heard anybody mention Obituary and the Fairport Convention in the same sentence–much less as reference points for their own music. For shorthand purposes, we’d been referring to Riggs’ solo debut, We Sing Of Only Blood Or Love (Fat Possum) as the […]
17
February
2008
THE SELF-TITLED INTERVIEW: Destroyer
Words by Michael Tedder Perhaps the only thing more shocking than the quality of Dan Bejar’s melodically nimble songwriting is how many of his songs there are to be shocked by. Not only does his main project, Destroyer, dependably release an album every two years, but he also keeps himself busy with side projects including […]
22
February
2008
RAY OF LIGHT: Bat For Lashes
Story by Rebecca Wiener Photos by Travis Huggett Everything about Natasha Khan, it seems, is a delicate balance of opposites. “My writing relies on equal parts civilization and wilderness,” says the 27-year-old musician as we sit in a slender triangle of green space at the center of a busy SoHo intersection in Manhattan. Casually gorgeous […]
27
February
2008
THE S/T INTERVIEW: Dan the Automator and Mike Patton, AKA Crudo
By Andrew Parks Mike Patton‘s only been in New York City for four days, yet he’s already written and recorded an entire album with avant-jazz architect John Zorn and his former Mr. Bungle bandmate Trevor Dunn. “It’s a three-act rock opera with a mystical alchemy vibe,†says Patton of Six Litanies for Heliogabalus, which is […]
28
February
2008
Q&A: Mathew Jonson of Cobblestone Jazz
Mathew Jonson is mostly known for his fresh, slightly-mental take on minimal techno (see such slamming singles as “Decompression” and “Return of the Zombie Bikers”) and the carefully-curated roster of Wagon Repair, a Vancouver-based label he helped launch in 2004. Jonson didn’t get his start hand-crafting beats, however; his music background actually begins with his […]