Tag: Cave In

NEEDLE EXCHANGE 066: An Exclusive Mix By … Cave In

Photo by Aaron Richter

This week’s exclusive mix was compiled by Cave In and originally offered as a digital “cassette” in the enhanced edition of our quarterly magazine. Interested in more exclusive music, starting with our next issue in September? Subscribe to self-titled for the iPad, Android and standard Web browsers here. Otherwise, please enjoy the one-track version of Cave In’s tour-ready tape, which incorporates everything from Brian Eno and Boris to Portishead and Public Enemy…

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PREMIERE: Cave In, “Heartbreaks, Earthquakes”

While we’re currently in the thick of it with the next issue of self-titled, our old friends Cave In were nice enough to share a song from their new White Silence LP. The long-awaited (six years!) effort hits shops next Tuesday through Hydra Head, and we’re happy to report that it’s a welcome blend of their two distinct phases: the spacier, more experimental flourishes of Jupiter and the teeth-gnashing metalcore templates of Until Your Heart Stops, easily one of our favorite “extreme” albums of all time.

Check out “Heartbreaks, Earthquakes” and the previously streamed “Sing My Loves” after the jump, along with some commentary from frontman Stephen Brodsky. Oh, and if you’re in New York tonight, be sure to check out a rare set from the band at Santos Party House

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PRIMER: Cave In

Forget Master of Puppets and the ever-evolving D&D discs of Mastodon for a minute. If there’s one metal record we reach for on a regular basis, it’s Cave In‘s first proper full-length, the decade-old Until Your Heart Stops. A dizzying array of chord-climbing riffs, speaker-rattling vocals and traumatic time changes—not to mention the anvil-dropping rhythm section of drummer J.R. Conners and bassist Caleb Scofield—it’s a prime example of masochistic pop music, catchy but chaotic stuff that wouldn’t sound out of place while driving your car off a cliff.

In fact, it’s so chaotic that the band often claims they can’t play certain parts anymore. They’ll get a chance to tonight, as Cave In continues its post-hiatus run of rare shows at the Knitting Factory’s new Brooklyn location. We recently caught up with frontman Stephen Brodsky and asked him to give us a run through of the band’s overwhelming back catalog, from the totally ’90s hardcore of their first 7-inch to the $250,000 RCA tossed out the window while Cave In created the most bloated record of their career.

While you read, be sure to grab our playlist of crucial Cave In cuts from the past 13 years.

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