Tag: Zola Jesus

Zola Jesus Reveals Cover, Tracklisting of ‘Valusia’ EP

Photo by Aaron Richter

Okay, so it’s not the album we’ve been waiting for since Zola Jesus revealed her stormy pop side (the rather excellent Stridulum EP) earlier this year. What Valusia does instead is pair the three previously unreleased tracks from her import-only Stridulum II record with a couple music videos (available here, along with commentary from director Jacqueline Castel) and her first work with producer Chris Coady (“Poor Animal,” featuring Cult of Youth’s Christiana Key on violin). All of which are s/t-approved—so much so that we’ll be featuring Zola Jesus on our next cover, due out in late September.

In the meantime, you might want to mark your calendar with the following tour dates, which include three weeks of support slot sets for the xx. The vinyl version of Valusia (due out October 12 through Sacred Bones) is also available for pre-order now here

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THE SELF-TITLED INTERVIEW: Zola Jesus

Photos by Aaron Richter

Interview by Andrew Parks

As a general rule, we never interview artists at South By Southwest. While some publications are happy to squeeze a couple pull quotes out of a five-minute conversation, we’d rather save our enthusiasm for a later date—one where we’re not all high, drunk, rushed or some twisted combination of all three.

We made an exception for one artist this year, however: Zola Jesus. And not just because we’re still obsessed with the operatic pop songs on her Stridulum EP and its steel-plated, self-produced counterpart, The Spoils. The 21 year old isn’t able to tour much, as she’s currently wrapping up her French/philosophy degree in Wisconsin, so self-titled figured we’d take what we could get.

What we didn’t expect was the first, and so far only, interview with Nika Roza Danilova and her full live band. While that may seem unnecessary (she’s a solo artist, right?), the group’s innate chemistry could lead to some collaborations on Danilova’s next album, which is expected early next year. And even if it doesn’t, the way the young singer is learning to apply her sky-scraping melodies and subzero soundscapes to an actual band says more about her position as one of today’s most thrilling artists than a simple one-on-one session would. Here’s the supporting cast, then:

ALEX DEGROOT (keys, samples, backup vocals)
NICK TURCO (keyboards, bass)
SHANE VERWEY (synths)
NICK JOHNSON (drums)

You can catch this speaker-caving incarnation of Zola Jesus over the next couple months, including a one-off show at Glasslands in Brooklyn tomorrow night. It’s close to selling out and features a bunch of s/t-approved Sacred Bones artists, so you might want to snag tickets now here. And if you’re not in New York, all other dates can be found on MySpace.

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SCREENING ROOM: Art House Porn, Death Cults and NYU’s Rare Synths Collection Are Just the Begining of Future Primitive’s Music Videos For Blank Dogs, Zola Jesus, Moon Duo and More

“If they catch you, just say you’re Americans! They won’t shoot!”

That’s what Jacqueline Castel and her Future Primitive Films crew heard as they hopped a decrepit fort fence in Queens and captured part of Gary War’s “Highspeed Drift” video—her first of many for one of self-titled’s favorite local labels, Sacred Bones Records. (Among Castel’s other activities: custom headdresses for Devendra Banhart; costumes based on Marcel Dzama’s Department of Eagles video; and movie curation through The Third Floor, a collective of ex-Kim’s Video employees.)

Taking cues from our Primer guides to artists, subgenres and scenes, the following is our first installment of Screening Room, a running commentary that revolves around music video directors that’d be all over MTV…if it was 1991 and Matt Pinfield was still around. If you or someone you know would make sense for a future profile, let us know over at our Twitter or Facebook pages.

And now, our feature presentation…

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COFFEE TALK: The Latest Posts, Profiles & Think Pieces On Mogwai, Emo, Crystal Castles, Zola Jesus, Gonjasufi, M.I.A. and More

Crystal Castles, live in Iceland

Photo by Andrew Parks

We sift the ‘net for today’s top stories so you don’t have to…

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COVER FLOW: In Case You’re Wondering, the Crude Oil On Zola Jesus’ Face Is Chocolate Syrup

[Photo by Indra Dunis]

As much as we dug the dirt-encrusted mood music of Zola Jesus‘ breakthrough LP, The Spoils (Sacred Bones, 2009), Nika Roza Danilova’s new EP is something else—a flirtation with full-on pop songs, buoyed by dark ambient samples and skeletal beats that sound like they’re knocking your door down rather than being reduced to dust. (In many ways, Danilova’s early songs mirror the brash but brutal bedroom productions on Cold Cave’s Cremations compilation. And her music is changing for the better just as quickly.)

If you ask Sacred Bones, Stridulum is a “siren song for the apocalypse.” Which sounds about right. It’s also a record that isn’t afraid to address relationships with rather literal lyrics like, “It’s not easy/To fall in love/But if you’re lucky/You just might find someone.” As tired as those lines may look on paper, they sound gorgeous in the context of a Zola Jesus song, mostly because Danilova’s classically-trained voice—she’s just 20 years old, but already sounds ready to clobber concert halls—cuts right through her minimal compositions. Mark our words: this girl will be one of the breakthrough acts of SXSW next week, and one of 2011’s most anticipated albums. Hell, we’re already counting down the days.

Since Stridulum’s record sleeve is just as striking as the music within, we asked Danilova to explain just what’s dripping down her face. Turns out it’s not an oil spill after all…

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