Category: Needle Exchange

NEEDLE EXCHANGE 123: An Exclusive Touch and Go Mix By … Coliseum

Coliseum

Words and Mix by Ryan Patterson of Coliseum

When self-titled asked me to put together a follow-up to my DC/Dischord mix from a few years ago, I struggled for a moment trying to think of another local scene that had as much of an impact on me as the DC one. (Outside of my hometown of Louisville of course, but I’d already created a Louisville mix for Land Animal a while back.) Los Angeles, Chicago, New York, sure…All of these cities spawned countless incredible bands but few had the same kind of tight-knit community that the DC scene seemed to have in its history.

So I thought about record labels and a few popped into my mind: SST, Touch and Go, Merge, Sub Pop, Matador, Homestead, Rough Trade, Stiff, Dangerhouse, Factory. Touch and Go (and their sister imprint Quarterstick) was the obvious choice for me. I could probably remain happy the rest of my life with only music released by Dischord, SST, and Touch and Go. SST’s great bands are untouchable but the label is notorious for not paying their bands (hence why most of them have taken their back catalogs to other labels) and all the current Black Flag reunion nonsense just adds a further sour slant to the SST story. Touch and Go did it all the right way—they treated their bands wonderfully, they fostered a community that extended through most of the artists on the label, they helped countless other labels grow and thrive via their distribution arm, and they released a huge variety of great music.

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NEEDLE EXCHANGE 122: An Exclusive Mix By … Standish/Carlyon

Standish/Carlyon

Much like their last Devastations LP (2007’s Yes, U), Conrad Standish and Tom Carlyon’s debut album as Standish/Carlyon (Deleted Scenes, out today via Felte) doesn’t just create an atmosphere and leave it hanging in the balance like a black-lit sheet of mere background music. It maintains a melancholic mood for minutes on end, letting morose melodies and hushed harmonies drift through a pitch dark chasm of weighty/widescreen dub rhythms, laser-guided loops and synthesized samples.

Meanwhile, a story emerges—scrambled transmissions about high society’s pleasure principles, an insular world of washed-up celebrities, epileptic flash bulbs, dagger-drawing designers, joyless jacuzzis and lapsed credit limits. At least that’s what it appears Standish is singing about. Embrace the duo’s ultramodern ether long enough and you’ll also notice subtleties that are both surreal and sensual, as well as lyrical nods to absurdism, tropical diseases and utter degradation.

In the following exclusive mix, Standish/Carlyon examines “some recent favorites and some not so recent, a mixture of humidity and colder tensions. [A] pretty all over the place selection/mix but hopefully it makes sense. TG members are unconsciously represented pretty heavily on this, though no Chris & Cosey. Next time. RIP Guru”…

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NEEDLE EXCHANGE 121: An Exclusive Mix By … !!! (Chk Chk Chk)

!!!

“I don’t know if anyone would describe it as positive tension,” says !!! frontman Nic Offer, when asked about the give-and-take that’s gone into the group’s five albums. “It can get pretty dark. But it’s important to be able to get your feelings hurt and keep chipping away.”

That was certainly the case on the collective’s recently released Thr!!!er record, a filler-free argument for keeping punk-funk alive in 2013. In the following exclusive, we share an E-mail exchange with Offer alongside a mix from multi-instrumentalist Allan Wilson…

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NEEDLE EXCHANGE 120: An Exclusive Mix By … Violetshaped

Violetshaped

Now that their s/t-approved debut is available in a limited vinyl run (grab the only copy we’ve got here), we thought we’d ask Shapednoise and his mysterious Violetshaped collaborator Violet Poison to share an exclusive mix that’s more like a mission statement, including some forthcoming material on their own label and Vatican Shadow’s Bed of Nails imprint. Here’s what they sent us back…

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NEEDLE EXCHANGE 119: An Exclusive Mix By … Locust

Locust

After taking a brief break, our Needle Exchange mix series is back with a burner from Mark Van Hoen’s recently reactivated Locust project. Now rounded out by the robust synth lines of Louis Sherman, the duo will unveil its first collaborative recording through Editions Mego on April 16th (You’ll Be Safe Forever) and a new live show this Friday, in the supporting slot of the Bunker and Nightvision’s one-off Public Assembly party with Tropic of Cancer, Black Rain and more…

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NEEDLE EXCHANGE 118: An Exclusive Mix By … Pearl Necklace

Pearl Necklace

Photo: Martha Fleming-Ives

It shouldn’t be a surprise considering how sample-happy and strange their Smalltown Supersound debut (Soft Opening) is, but the MPC maestros in Pearl Necklace didn’t just string the latest underground singles together in their Needle Exchange mix. Like the Avalanches with a more left-field collection of loops, the Brooklyn duo delivered a dance set that’s mustier than your grandma’s attic and downright delirious. Here’s how they describe it:

Most mixes try to establish a narrative, and mostly around orders of taste and history. This mix was made “live” with records that felt more free of direct legibilities and open enough to receive our treatment—largely mixed with other recordings—towards confusions through multiplicity rather than an imposed hierarchy.

Crack that time capsule down below…

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NEEDLE EXCHANGE 117: An Exclusive Mix By … FaltyDL

FaltyDL

Photo: Nic Serpell Rand

Words by Mitch Strashnov

Drew Lustman has gone from burgeoning underground dance producer to sonic specialist within a handful of years; announcing that yes, he’s that damn good at his job. Under the guise of FaltyDL, Lustman has created a vivid sense of emotional entanglement within his albums, and with his debut Ninja Tune LP, Hardcourage, he takes another big step by letting even more of his soul pour out. To say it’s more emotional is too easy—considering that bits of the album are lush, refined and even a bit slower than his previous two LPs—but the overall vibe presents an artist that’s grown up with a mindful presence to the music around him.

self-titled spoke to Lustman about getting signed to Ninja Tune, the album process and how he’s taken leaps and bounds to get to the place he’s in now. Oh, and he also shared an exclusive mix for our Needle Exchange series, a set he cut while staying in Barcelona earlier this winter…

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NEEDLE EXCHANGE 116: An Exclusive Mix By … Justin Broadrick

Justin Broadrick

One of the strangest parties we ever held—on paper at least; the night actually exceeded our expectations—had to be the unofficial CMJ soiree we hosted at Glasslands five years ago. In typical one-night-only fashion, it featured live performances from MGMT and Yeasayer and DJ sets from Holy Ghost!, The Rapture and Justin Broadrick. You read that last part right: the guy responsible for Godflesh, Jesu, Techno Animal and countless other projects of the experimental/extreme variety agreed to hustle over the Williamsburg Bridge after Hydra Head’s showcase and spin his favorite drum & bass sides for us. Better yet, the guy could actually beat match and blend his records better than many of the Serato jockeys who get paid to do the same thing full-time.

So between that one-night-only display of his DJ skills—something he first sharpened while touring with Techno Animal in the late ’90s—and the simple fact that Broadrick is one of our favorite underground artists ever, we’re psyched to say that he’s shared a special Needle Exchange mix that reveals some of the main influences on his new JK Flesh project. We’re pretty sure this is the first and last time you’ll hear a Dizzee Rascal instrumental bump heads with a Godflesh remix…

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NEEDLE EXCHANGE 115: An Exclusive Live Mix By … Deadbeat

Deadbeat

“While some may look down upon dance music as some kind of populist late-night drivel,” Deadbeat writes via E-mail, “its ever-changing nature ends up being very inspiring for a producer. It’s always been fascinating to me—how changing the tempo of a track even a few BPM can unlock totally new grooves and inspire a completely fresh set of creative ideas. Here’s to hoping DJs continue to be hungry for new sounds and structures for a good, long time.”

That hunger’s certainly reflected on Scott Monteith’s last two LPs, which shift gears from the spacious and spooky widescreen pieces of Drawn & Quartered to the restless rhythms and twitchy tempos of this year’s Eight album.

“It’s not about pushing the limits of dub or any other kind of music so much as wanting to give something back to the small, immediate community around me,” he explains. “Hopefully with just enough of those not-quite-right moments each time, it doesn’t sound like I’m doing the same damn thing over and over again.”

You be the judge below, as the Canadian producer—now one of the many beat conductors in Berlin—shares an exclusive live mix (featuring some additional effects from Monolake’s Robert Henke!) and answers our prying questions…

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NEEDLE EXCHANGE 114: An Exclusive Mix By … ADULT.

ADULT.

Words and Mix by ADULT.

For the last two years we were doing construction work. This was partially because we were completely burnt out on music, and partially because we were in debt from the ADULT. films we made in 2010. This was an intense time for us. There were certain songs we would play obsessively during this period, especially “Compulsion,” “All My Colours” and “We Have Come to Bless the House.”

We let our “burn out” run its course, and then earlier this year, we went back into the studio. Music writing has been a very cathartic process for us. We have experienced many moods over these last few years, and this mix represents them. It also foreshadows the new material we are working on for a new record in early spring on Ghostly International…

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