Category: Editors’ Picks

EDITOR’S PICK: Mount Kimbie + King Krule, “You Took Your Time”

Mount Kimbie's new album

As King Krule continues to avoid releasing his eagerly anticipated debut album, we’ll certainly settle for songs like the latest Mount Kimbie single. A slow-burner with some serious bite , “You Took Your Time” is yet another striking example of how this little red-haired teenage—or did he turn 20 finally?—Londoner can pass for a grizzled old gangster on record. Starting with the blunt lines “Now did you see me?/ I killed a man/ They all stayed down/ But he chose to stand,” Archy Marshall wraps his street-seasoned poetry around Mount Kimbie’s bubble-gun beats tightly, bringing a level of grit to a LP that feels like more of a living room listen. (This is a good thing; we expected an actual album from the duo, not a collection of post-dubstep bangers.)

Check out “You Took Your Time” below, and look out for the rest of Cold Spring Fault Less Youth on May 28th through Warp…

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THE END CAP: Five Recommended New Releases

Black Pudding

Photo: Steve Gullick

Now that every Tuesday is a frantic scramble for the best streamable/downloadable/sharable new releases—in our office, at least—self-titled thought we’d save you some time and share five records we stand behind every week. Here’s what we’re digging at the moment…

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EDITOR’S PICK: Various Artists, ‘Think and Change’

Various Artists - 'Think and Change' The Artist/Album: Various Artists, Think and Change (Nonplus+, 2013)

Our Review: Anyone looking for an antidote to the rise of lunkheaded EDM loops needs to crank Boddika’s expertly curated Think and Change compilation. Reaching well beyond the Instra:mental producer’s drum & bass roots, it features everything from drill sergeant drums (SCB’s “Dissipate”) and bout-ready-to-jak breaks (Endian’s “Straight Intention”) to a Joy Orbison duet (“&Fate”) that sets the bar high only to have it hammered home by the A-game attitude of everything that follows. That includes Four Tet, who treats his guest appearance (“For These Times”) as a filler-free calling card for just how far he’s come from the inherent trappings of ‘folktronica’. So good, all of it.

Available At: Amazon · iTunes

EDITOR’S PICK: Clothilde, ‘French Swinging Mademoiselle’

Clothilde - 'French Swinging Mademoiselle'

The Artist/Album: Clothilde, French Swinging Mademoiselle (Born Bad, 2013)

Our Review: Don’t let the language barrier on this long overdue French-pop compilation distract you from just how brilliant it is. Cut back in 1967 by Clothilde and her two main collaborators, Jean-marie Di Maria and Germinal Tenas, the songs on French Swinging Mademoiselle span just two EPs yet every single track is intoxicating. That’s because they’re straight-up bonkers, bursting through your speakers on the back of cartoonish cackles, tongue-in-cheek entendres, and kitchen sink arrangements that toss brassy horns, candy-colored chords and psych-steeped guitars in the mix and at your face. The thing is, you won’t even want to duck.

Available At: Amazon · iTunes

Stream ‘French Swinging Mademoiselle’ in its entirety via Spotify below…

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EDITOR’S PICK: Various Artists, ‘Deutsche Elektronische Musik 2′

'Deutsche Elektronische Musik 2' The Artist/Album: Various Artists, Deutsche Elektronische Musik 2 (Soul Jazz, 2013)

Our Review: The second installment in Soul Jazz’s Krautrock survey lives up to the last in terms of being an incredibly thorough discovery tool, from familiar underground favorites like Brian Eno’s second collab with Cluster and the groove-locked Faust song that gave this pseudo scene its name to the Neu! school of Motorik madness (You, Wolfgang Riechmann) and outré strains of prog (A.R. & Machines), psychedelic folk (Gila, Bröselmaschine), fractured electronics (Rolf Trostel, Asmus Tietchens) and free-jazz (Niagara). It’s pricey but goddamn the two-part, 4-LP pressing of this compilation sounds great. Even Julian Cope would approve.

Available At: Amazon · Soul Jazz

EDITOR’S PICK: TNGHT, “Acrylics”

TNGHT - 'Acrylics' Earlier this morning, we heard rumblings of a new TNGHT track that was set to premier on Zane Lowe’s Radio 1 show. And what do you know; the official LuckyMe x Warp co-release is already available to download from iTunes.

As expected from the duo’s recent live performances, it’s got more in common with the endorphin-flooding head rushes of a warehouse rave (circa: 1989, or one of the Prodigy’s seminal records) than the token trap-rave tracks TNGHT are often lumped in with. Setting things off with a MC shouting “DJ!” and roaring, rumbling layers of synth lines, it’s obviously engineered to drive peak-hour crowds up a wall, from its BPM-slowing music box breaks to its meteor shower melodies. Which is fitting considering Lunice and HudMo are about to do a victory lap around Coachella, Philly (April 10th), New York (April 17th) and San Francisco (April 20th) before dropping who knows what later this year.

Listen below, right alongside the duo’s essential Radio 1 mix… 

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EDITOR’S PICK: At the Drive-In, “One Armed Scissor (The Field Remix)”

At the Drive-In - 'Relationship of Command' When At the Drive-In announced that they’d be reissuing two of their records this spring, the last thing we expected to hear alongside them was the following remix: a trance-inducing “One Armed Scissor” treatment, ushered into the void by The Field. Considering how spastic the original is, this remix is basically a revelation, the polar opposite of all the rap-rock bullshit At the Drive-In should have been rallying against in the early ’00s instead of themselves.

Compare and contrast down below, right alongside our ultimate ATDI Spotify playlist…

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EDITOR’S PICK: Richard Sen, ‘This Ain’t Chicago’

'This Ain't Chicago'

The Artist/Album: Richard Sen, This Ain’t Chicago (Strut, 2012)

Our Review:  A subtle slap in the face of the notion that every revelatory dance record from the late ’80s/early ’90s rolled off a Midwestern assembly line, This Ain’t Chicago cracks open a time capsule containing all the UK rave anthems and could-have-been-hits that drove warehouse crowds and underground club kids absolutely mad. And with good reason; every acid/house track on here is soulful and satisfying, deftly mixed and carefully curated by Padded Cell’s Richard Sen so that its double-disc pressing never loses its luster despite pushing well past the two-hour mark.

Available At: Amazon · iTunes

SXSW 2013 SPOTLIGHT: Lunice + Mykki Blanco + Flatbush Zombies + Deniro Farrar @ Boiler Room x Ray Ban’s Warehouse Party

Lunice @ Boiler Room x Ray Ban's SXSW party

Words and Photos by Andrew Parks

Anyone worried that last night’s Lunice set would be a mere shadow of last year’s breakthrough performance with TNGHT had that hunch eliminated from the second he took the stage. Without the comparatively reserved Hudson Mohawke at his side, the Montreal producer was as excitable as he’s ever been, leaping up from behind his laptop like a spring-loaded pinball as a tightly curated guest list (Mykki Blanko, Deniro Farrar, Flatbush Zombies) rotated in like a series of home run-hammering cleanup hitters.

“How many of you like rap music?” asked Lunice, as a stage-rushing crowd screamed before Boiler Room’s camera crews. “Not trap music—rap music.”

While the comment was clearly in reference to trend-chasing trap-rave pieces (see also: this and this), there was no denying Lunice’s creeping, crowd-riling hooks, a sound that’d be familiar to any T.I. or TNGHT fan (lots of laser-guided synths, crushing bass lines, loony bin loops and snappy snares). And that’s okay; unlike the lunkheaded, one-note leanings of today’s dubstep music, a Lunice set is full of energy and actual mixing/genre-mashing skills. Which leads us to one simple question: what are you more excited for, a TNGHT album or long overdue solo LPs from the cross-continental duo? We’d blast any of ‘em happily personally…

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SXSW 2013 SPOTLIGHT: Panache Booking Showcase @ Hotel Vegas

John Dwyer of Thee Oh Sees

Words and Photos by Andrew Parks

The most surprising development at this year’s South by Southwest festival had more to do with its countless venues than the artists themselves. Continuing a trend that began with the closing of Emo’s and FADER moving its massive showcase further down 5th Street, 2013 was the first time we spent far more time on the food truck-dotted streets of Austin’s East Side than the city’s fabled stretch of 6th Street. And not just unofficial, Corporate America-cosigned extravaganzas like Converse and Thrasher’s rock solid four-day stint at Scoot Inn; from Burger’s day-long takeover of Hotel Vegas’ four stages to Boiler Room’s wildly ambitious debut at 1100 Warehouse, many promoters seemed to suddenly downgrade the cool factor of playing in the heart of downtown. After all, where would you rather be caught Tweeting: in front of a wall of Doritos and once-fearsome/fearless MCs like Ice Cube and Public Enemy (“Fight the Power,” presented to you by Cool Ranch Tacos!), or a couple rows of Goner fans away from King Tuff and Thee Oh Sees?

The answer was certainly clear at Friday night’s Panache showcase, which served as a not-so-gentle reminder of how the booking agency’s tastes fall right in line with ours. Here are photos of a few standouts from a night that was full of ‘em, including the nihilistic noise of Destruction Unit, the gap-toothed grooves of Mac DeMarco and the pressurized beat science of The Bug, who hammered the East vs. West divide home by performing on a much better sound system than the muted mess he was forced to face the night before…

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